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Guzheng marks: fingering and technique

Enter 顫音, 滑音, 泛音 and the rest on a jianpu score — turn on the Chinese notation template, then use the Expression tab. Every glyph, and what it sounds like.

Verified against 0.5.0-beta

The guzheng marks are off by default, because on a vocal jianpu score they would be noise. Turning them on takes one click, and it is the click most people don’t find.

Turning them on

Open the Expression tab. When the marks are off it shows a 颤 上 下 · Guzheng marks button — press it.

That switches the score to the Chinese notation template, which also sets jianpu with Chinese-convention beaming, since the marks only make sense on a jianpu page. Nothing else about your score changes.

The same setting lives under Score → Template → 中文 Chinese, and picking 中文 Chinese in the New Score dialog starts a score with it already on. Choosing Layout → 2 staves (the Right hand / Left hand guzheng layout) turns it on too, because that layout is a guzheng score.

Fingering — 指法

Which finger plucks the string. Select a note, then press one.

GlyphFingerName
Thumb大指
Index食指
Middle中指
Ring名指
Little小指

Technique — 技法

GlyphTechniqueAlso writtenPlays back?
Vibrato顫音Visual only
Slide up滑音 / 上滑音Visual only
Slide down滑音 / 下滑音Visual only
Glissando刮奏Yes — a fast run of scale steps
Kneading揉弦Visual only
Tremolo摇指Yes — re-articulates across the note

If you are looking for 顫音, it is 颤. DomiSol prints the simplified characters throughout; 颤/顫 and the rest are the same techniques.

The marks that are “visual only” are drawn on the score and carried into both the jianpu PDF and the staff-notation PDF — they just don’t change the sound. True pitch-bending is out of scope: every playback voice is a polyphonic synth with private voices, so bending would mean rebuilding the audio engine.

The ornaments everyone gets

These are not behind the template — they are general notation that happens to carry Chinese names, and they are on the Expression tab for every score:

  • 泛音 harmonic — a hollow circle above the note.
  • 琶音 arpeggio — a wavy line to the left of a chord; rolls the chord’s onsets on playback.
  • 刮奏 glissando as a span — click the start, then the end note, and the sweep is drawn between them.
  • 装饰音 grace notes — attached to their note rather than sitting in the beat, so adding one never re-bars the music.

Two staves

Layout → 2 staves sets up the conventional guzheng layout, naming the parts Right hand and Left hand. Bars stay locked across both, so an edit to one hand cannot knock the other out of alignment.

For the sound, open Instruments and pick Pluck / guzheng — the plucked-string approximation.

Still stuck?

Open DomiSol and ask the built-in assistant — it can answer from this manual and act on the score you have open.

Open DomiSol