G major: doh is G, 1 = G.
Where every solfa syllable and jianpu number sits in G major, how each notation writes the key, and the keys a hymn in G moves to.
The G major scale in solfa and jianpu
Solfa and jianpu are movable do: the syllables and numbers name the steps of the scale, not fixed pitches. In G major, step one is G, so this is what each one sounds as.
| Step | Solfa | Said | Jianpu | Note |
|---|---|---|---|---|
| 1 | d | doh | 1 | G |
| 2 | r | ray | 2 | A |
| 3 | m | mi | 3 | B |
| 4 | f | fah | 4 | C |
| 5 | s | soh | 5 | D |
| 6 | l | lah | 6 | E |
| 7 | t | ti | 7 | F♯ |
The next doh up, written with an octave mark above (a dot above
the 1 in jianpu), is G again, an octave higher. The doh-mi-soh chord, d m s or 1 3 5,
is G B D.
How each notation writes the key
- Tonic solfa: a key line at the start, such as
Key GorDoh is G. Nothing else on the page changes with the key. - Jianpu:
1 = Gat the top left, beside the time signature. - Staff notation: 1 sharp (F♯) in the key signature.
That is why moving a hymn into G costs nothing in solfa or jianpu: you change the key line and every syllable stays where it was. The guide to transposing in solfa shows how to choose the new key for a choir.
Fe and ta: the two altered notes you meet most
| Solfa | Jianpu | Note in G | What it usually does |
|---|---|---|---|
| fe | ♯4 | C♯ | Leans up to soh, often on the way into D major |
| ta | ♭7 | F | Leans down to lah, often on the way into C major |
Every raised and lowered syllable is in the tonic solfa primer.
The keys a hymn in G moves to
A modulation in solfa is written as a change of doh, so the question is which note becomes the new doh.
- Up to soh: D major. Soh (D) becomes the new doh, and the old fe (C♯) becomes the new ti. This is the commonest change of key in a hymn tune.
- Down to fah: C major. Fah (C) becomes the new doh, and the old ta (F) becomes the new fah.
The relative minor: E minor, on lah
E minor uses the same seven notes as G major and centres
on lah (E). Solfa keeps doh as G and the tune simply
settles on l. Jianpu usually states the minor on 6 instead:
6 = E. The
guide to minor keys in jianpu
explains why.
Hymns in G in the library
Free, public-domain hymns that DomiSol's library prints with doh on G. Each opens in the editor, where you can move it to any key.
Questions people ask about G major
What is doh in the key of G?
Doh is G. In G major the solfa syllables d r m f s l t sound as G A B C D E F♯, and the doh an octave up is G again.
How is G major written in jianpu?
As 1 = G, at the top left of the score. The numbers 1 2 3 4 5 6 7 then sound as G A B C D E F♯.
How many sharps or flats does G major have?
1 sharp (F♯) in staff notation. In solfa and jianpu you write none of them: the key line (doh is G, or 1 = G) says where the scale starts, and the syllables or numbers carry the rest.
What is the relative minor of G major?
E minor, which starts on lah (6) and uses the same seven notes. In jianpu a piece in E minor is usually written 6 = E; in solfa the key line still names doh (G) and the tune centres on lah.
Write a score in G
DomiSol is a free editor for tonic solfa and jianpu. Set the key to
G, type d r m or 1 2 3, and press play to
hear it at pitch. To find the note before the choir sings, the
online pitch pipe plays G and every
other doh.
- Write tonic solfa in G, free in the browser
- Write jianpu in 1 = G, free in the browser