B major: doh is B, 1 = B.
Where every solfa syllable and jianpu number sits in B major, how each notation writes the key, and the keys a hymn in B moves to.
The B major scale in solfa and jianpu
Solfa and jianpu are movable do: the syllables and numbers name the steps of the scale, not fixed pitches. In B major, step one is B, so this is what each one sounds as.
| Step | Solfa | Said | Jianpu | Note |
|---|---|---|---|---|
| 1 | d | doh | 1 | B |
| 2 | r | ray | 2 | C♯ |
| 3 | m | mi | 3 | D♯ |
| 4 | f | fah | 4 | E |
| 5 | s | soh | 5 | F♯ |
| 6 | l | lah | 6 | G♯ |
| 7 | t | ti | 7 | A♯ |
The next doh up, written with an octave mark above (a dot above
the 1 in jianpu), is B again, an octave higher. The doh-mi-soh chord, d m s or 1 3 5,
is B D♯ F♯.
How each notation writes the key
- Tonic solfa: a key line at the start, such as
Key BorDoh is B. Nothing else on the page changes with the key. - Jianpu:
1 = Bat the top left, beside the time signature. - Staff notation: 5 sharps (F♯, C♯, G♯, D♯, A♯) in the key signature. The same sound can also be written as C♭ major, and some books print it that way.
That is why moving a hymn into B costs nothing in solfa or jianpu: you change the key line and every syllable stays where it was. The guide to transposing in solfa shows how to choose the new key for a choir.
Fe and ta: the two altered notes you meet most
| Solfa | Jianpu | Note in B | What it usually does |
|---|---|---|---|
| fe | ♯4 | E♯ | Leans up to soh, often on the way into F♯ major |
| ta | ♭7 | A | Leans down to lah, often on the way into E major |
Every raised and lowered syllable is in the tonic solfa primer.
The keys a hymn in B moves to
A modulation in solfa is written as a change of doh, so the question is which note becomes the new doh.
- Up to soh: F♯ major. Soh (F♯) becomes the new doh, and the old fe (E♯) becomes the new ti. This is the commonest change of key in a hymn tune.
- Down to fah: E major. Fah (E) becomes the new doh, and the old ta (A) becomes the new fah.
The relative minor: G♯ minor, on lah
G♯ minor uses the same seven notes as B major and centres
on lah (G♯). Solfa keeps doh as B and the tune simply
settles on l. Jianpu usually states the minor on 6 instead:
6 = G♯. The
guide to minor keys in jianpu
explains why.
Questions people ask about B major
What is doh in the key of B?
Doh is B. In B major the solfa syllables d r m f s l t sound as B C♯ D♯ E F♯ G♯ A♯, and the doh an octave up is B again.
How is B major written in jianpu?
As 1 = B, at the top left of the score. The numbers 1 2 3 4 5 6 7 then sound as B C♯ D♯ E F♯ G♯ A♯.
How many sharps or flats does B major have?
5 sharps (F♯, C♯, G♯, D♯, A♯) in staff notation. In solfa and jianpu you write none of them: the key line (doh is B, or 1 = B) says where the scale starts, and the syllables or numbers carry the rest.
What is the relative minor of B major?
G♯ minor, which starts on lah (6) and uses the same seven notes. In jianpu a piece in G♯ minor is usually written 6 = G♯; in solfa the key line still names doh (B) and the tune centres on lah.
Write a score in B
DomiSol is a free editor for tonic solfa and jianpu. Set the key to
B, type d r m or 1 2 3, and press play to
hear it at pitch. To find the note before the choir sings, the
online pitch pipe plays B and every
other doh.
- Write tonic solfa in B, free in the browser
- Write jianpu in 1 = B, free in the browser