A♭ major: doh is A♭, 1 = A♭.
Where every solfa syllable and jianpu number sits in A♭ major, how each notation writes the key, and the keys a hymn in A♭ moves to.
The A♭ major scale in solfa and jianpu
Solfa and jianpu are movable do: the syllables and numbers name the steps of the scale, not fixed pitches. In A♭ major, step one is A♭, so this is what each one sounds as.
| Step | Solfa | Said | Jianpu | Note |
|---|---|---|---|---|
| 1 | d | doh | 1 | A♭ |
| 2 | r | ray | 2 | B♭ |
| 3 | m | mi | 3 | C |
| 4 | f | fah | 4 | D♭ |
| 5 | s | soh | 5 | E♭ |
| 6 | l | lah | 6 | F |
| 7 | t | ti | 7 | G |
The next doh up, written with an octave mark above (a dot above
the 1 in jianpu), is A♭ again, an octave higher. The doh-mi-soh chord, d m s or 1 3 5,
is A♭ C E♭.
How each notation writes the key
- Tonic solfa: a key line at the start, such as
Key A♭orDoh is A♭. Nothing else on the page changes with the key. - Jianpu:
1 = A♭at the top left, beside the time signature. - Staff notation: 4 flats (B♭, E♭, A♭, D♭) in the key signature.
That is why moving a hymn into A♭ costs nothing in solfa or jianpu: you change the key line and every syllable stays where it was. The guide to transposing in solfa shows how to choose the new key for a choir.
Fe and ta: the two altered notes you meet most
| Solfa | Jianpu | Note in A♭ | What it usually does |
|---|---|---|---|
| fe | ♯4 | D | Leans up to soh, often on the way into E♭ major |
| ta | ♭7 | G♭ | Leans down to lah, often on the way into D♭ major |
Every raised and lowered syllable is in the tonic solfa primer.
The keys a hymn in A♭ moves to
A modulation in solfa is written as a change of doh, so the question is which note becomes the new doh.
- Up to soh: E♭ major. Soh (E♭) becomes the new doh, and the old fe (D) becomes the new ti. This is the commonest change of key in a hymn tune.
- Down to fah: D♭ major. Fah (D♭) becomes the new doh, and the old ta (G♭) becomes the new fah.
The relative minor: F minor, on lah
F minor uses the same seven notes as A♭ major and centres
on lah (F). Solfa keeps doh as A♭ and the tune simply
settles on l. Jianpu usually states the minor on 6 instead:
6 = F. The
guide to minor keys in jianpu
explains why.
Questions people ask about A♭ major
What is doh in the key of A♭?
Doh is A♭. In A♭ major the solfa syllables d r m f s l t sound as A♭ B♭ C D♭ E♭ F G, and the doh an octave up is A♭ again.
How is A♭ major written in jianpu?
As 1 = A♭, at the top left of the score. The numbers 1 2 3 4 5 6 7 then sound as A♭ B♭ C D♭ E♭ F G.
How many sharps or flats does A♭ major have?
4 flats (B♭, E♭, A♭, D♭) in staff notation. In solfa and jianpu you write none of them: the key line (doh is A♭, or 1 = A♭) says where the scale starts, and the syllables or numbers carry the rest.
What is the relative minor of A♭ major?
F minor, which starts on lah (6) and uses the same seven notes. In jianpu a piece in F minor is usually written 6 = F; in solfa the key line still names doh (A♭) and the tune centres on lah.
Write a score in A♭
DomiSol is a free editor for tonic solfa and jianpu. Set the key to
A♭, type d r m or 1 2 3, and press play to
hear it at pitch. To find the note before the choir sings, the
online pitch pipe plays A♭ and every
other doh.
- Write tonic solfa in A♭, free in the browser
- Write jianpu in 1 = A♭, free in the browser