D major: doh is D, 1 = D.
Where every solfa syllable and jianpu number sits in D major, how each notation writes the key, and the keys a hymn in D moves to.
The D major scale in solfa and jianpu
Solfa and jianpu are movable do: the syllables and numbers name the steps of the scale, not fixed pitches. In D major, step one is D, so this is what each one sounds as.
| Step | Solfa | Said | Jianpu | Note |
|---|---|---|---|---|
| 1 | d | doh | 1 | D |
| 2 | r | ray | 2 | E |
| 3 | m | mi | 3 | F♯ |
| 4 | f | fah | 4 | G |
| 5 | s | soh | 5 | A |
| 6 | l | lah | 6 | B |
| 7 | t | ti | 7 | C♯ |
The next doh up, written with an octave mark above (a dot above
the 1 in jianpu), is D again, an octave higher. The doh-mi-soh chord, d m s or 1 3 5,
is D F♯ A.
How each notation writes the key
- Tonic solfa: a key line at the start, such as
Key DorDoh is D. Nothing else on the page changes with the key. - Jianpu:
1 = Dat the top left, beside the time signature. - Staff notation: 2 sharps (F♯, C♯) in the key signature.
That is why moving a hymn into D costs nothing in solfa or jianpu: you change the key line and every syllable stays where it was. The guide to transposing in solfa shows how to choose the new key for a choir.
Fe and ta: the two altered notes you meet most
| Solfa | Jianpu | Note in D | What it usually does |
|---|---|---|---|
| fe | ♯4 | G♯ | Leans up to soh, often on the way into A major |
| ta | ♭7 | C | Leans down to lah, often on the way into G major |
Every raised and lowered syllable is in the tonic solfa primer.
The keys a hymn in D moves to
A modulation in solfa is written as a change of doh, so the question is which note becomes the new doh.
- Up to soh: A major. Soh (A) becomes the new doh, and the old fe (G♯) becomes the new ti. This is the commonest change of key in a hymn tune.
- Down to fah: G major. Fah (G) becomes the new doh, and the old ta (C) becomes the new fah.
The relative minor: B minor, on lah
B minor uses the same seven notes as D major and centres
on lah (B). Solfa keeps doh as D and the tune simply
settles on l. Jianpu usually states the minor on 6 instead:
6 = B. The
guide to minor keys in jianpu
explains why.
Hymns in D in the library
Free, public-domain hymns that DomiSol's library prints with doh on D. Each opens in the editor, where you can move it to any key.
- Be Thou My Vision (D major): in solfa and in jianpu
- Blessed Assurance (D major): in solfa and in jianpu
- Holy, Holy, Holy! Lord God Almighty (D major): in solfa and in jianpu
- Joy to the World (D major): in solfa and in jianpu
Questions people ask about D major
What is doh in the key of D?
Doh is D. In D major the solfa syllables d r m f s l t sound as D E F♯ G A B C♯, and the doh an octave up is D again.
How is D major written in jianpu?
As 1 = D, at the top left of the score. The numbers 1 2 3 4 5 6 7 then sound as D E F♯ G A B C♯.
How many sharps or flats does D major have?
2 sharps (F♯, C♯) in staff notation. In solfa and jianpu you write none of them: the key line (doh is D, or 1 = D) says where the scale starts, and the syllables or numbers carry the rest.
What is the relative minor of D major?
B minor, which starts on lah (6) and uses the same seven notes. In jianpu a piece in B minor is usually written 6 = B; in solfa the key line still names doh (D) and the tune centres on lah.
Write a score in D
DomiSol is a free editor for tonic solfa and jianpu. Set the key to
D, type d r m or 1 2 3, and press play to
hear it at pitch. To find the note before the choir sings, the
online pitch pipe plays D and every
other doh.
- Write tonic solfa in D, free in the browser
- Write jianpu in 1 = D, free in the browser