C major: doh is C, 1 = C.
Where every solfa syllable and jianpu number sits in C major, how each notation writes the key, and the keys a hymn in C moves to.
The C major scale in solfa and jianpu
Solfa and jianpu are movable do: the syllables and numbers name the steps of the scale, not fixed pitches. In C major, step one is C, so this is what each one sounds as.
| Step | Solfa | Said | Jianpu | Note |
|---|---|---|---|---|
| 1 | d | doh | 1 | C |
| 2 | r | ray | 2 | D |
| 3 | m | mi | 3 | E |
| 4 | f | fah | 4 | F |
| 5 | s | soh | 5 | G |
| 6 | l | lah | 6 | A |
| 7 | t | ti | 7 | B |
The next doh up, written with an octave mark above (a dot above
the 1 in jianpu), is C again, an octave higher. The doh-mi-soh chord, d m s or 1 3 5,
is C E G.
How each notation writes the key
- Tonic solfa: a key line at the start, such as
Key CorDoh is C. Nothing else on the page changes with the key. - Jianpu:
1 = Cat the top left, beside the time signature. - Staff notation: no sharps or flats .
That is why moving a hymn into C costs nothing in solfa or jianpu: you change the key line and every syllable stays where it was. The guide to transposing in solfa shows how to choose the new key for a choir.
Fe and ta: the two altered notes you meet most
| Solfa | Jianpu | Note in C | What it usually does |
|---|---|---|---|
| fe | ♯4 | F♯ | Leans up to soh, often on the way into G major |
| ta | ♭7 | B♭ | Leans down to lah, often on the way into F major |
Every raised and lowered syllable is in the tonic solfa primer.
The keys a hymn in C moves to
A modulation in solfa is written as a change of doh, so the question is which note becomes the new doh.
- Up to soh: G major. Soh (G) becomes the new doh, and the old fe (F♯) becomes the new ti. This is the commonest change of key in a hymn tune.
- Down to fah: F major. Fah (F) becomes the new doh, and the old ta (B♭) becomes the new fah.
The relative minor: A minor, on lah
A minor uses the same seven notes as C major and centres
on lah (A). Solfa keeps doh as C and the tune simply
settles on l. Jianpu usually states the minor on 6 instead:
6 = A. The
guide to minor keys in jianpu
explains why.
Hymns in C in the library
Free, public-domain hymns that DomiSol's library prints with doh on C. Each opens in the editor, where you can move it to any key.
- It Is Well With My Soul (C major): in solfa and in jianpu
- Jesus Loves Me (C major): in solfa and in jianpu
Questions people ask about C major
What is doh in the key of C?
Doh is C. In C major the solfa syllables d r m f s l t sound as C D E F G A B, and the doh an octave up is C again.
How is C major written in jianpu?
As 1 = C, at the top left of the score. The numbers 1 2 3 4 5 6 7 then sound as C D E F G A B.
How many sharps or flats does C major have?
None: C major is the white notes of a piano. In solfa and jianpu you never write a sharp or flat for the key anyway: the key line says where doh is, and that is all.
What is the relative minor of C major?
A minor, which starts on lah (6) and uses the same seven notes. In jianpu a piece in A minor is usually written 6 = A; in solfa the key line still names doh (C) and the tune centres on lah.
Write a score in C
DomiSol is a free editor for tonic solfa and jianpu. Set the key to
C, type d r m or 1 2 3, and press play to
hear it at pitch. To find the note before the choir sings, the
online pitch pipe plays C and every
other doh.
- Write tonic solfa in C, free in the browser
- Write jianpu in 1 = C, free in the browser