F major: doh is F, 1 = F.
Where every solfa syllable and jianpu number sits in F major, how each notation writes the key, and the keys a hymn in F moves to.
The F major scale in solfa and jianpu
Solfa and jianpu are movable do: the syllables and numbers name the steps of the scale, not fixed pitches. In F major, step one is F, so this is what each one sounds as.
| Step | Solfa | Said | Jianpu | Note |
|---|---|---|---|---|
| 1 | d | doh | 1 | F |
| 2 | r | ray | 2 | G |
| 3 | m | mi | 3 | A |
| 4 | f | fah | 4 | B♭ |
| 5 | s | soh | 5 | C |
| 6 | l | lah | 6 | D |
| 7 | t | ti | 7 | E |
The next doh up, written with an octave mark above (a dot above
the 1 in jianpu), is F again, an octave higher. The doh-mi-soh chord, d m s or 1 3 5,
is F A C.
How each notation writes the key
- Tonic solfa: a key line at the start, such as
Key ForDoh is F. Nothing else on the page changes with the key. - Jianpu:
1 = Fat the top left, beside the time signature. - Staff notation: 1 flat (B♭) in the key signature.
That is why moving a hymn into F costs nothing in solfa or jianpu: you change the key line and every syllable stays where it was. The guide to transposing in solfa shows how to choose the new key for a choir.
Fe and ta: the two altered notes you meet most
| Solfa | Jianpu | Note in F | What it usually does |
|---|---|---|---|
| fe | ♯4 | B | Leans up to soh, often on the way into C major |
| ta | ♭7 | E♭ | Leans down to lah, often on the way into B♭ major |
Every raised and lowered syllable is in the tonic solfa primer.
The keys a hymn in F moves to
A modulation in solfa is written as a change of doh, so the question is which note becomes the new doh.
- Up to soh: C major. Soh (C) becomes the new doh, and the old fe (B) becomes the new ti. This is the commonest change of key in a hymn tune.
- Down to fah: B♭ major. Fah (B♭) becomes the new doh, and the old ta (E♭) becomes the new fah.
The relative minor: D minor, on lah
D minor uses the same seven notes as F major and centres
on lah (D). Solfa keeps doh as F and the tune simply
settles on l. Jianpu usually states the minor on 6 instead:
6 = D. The
guide to minor keys in jianpu
explains why.
Hymns in F in the library
Free, public-domain hymns that DomiSol's library prints with doh on F. Each opens in the editor, where you can move it to any key.
- Nearer, My God, to Thee (F major): in solfa and in jianpu
- What a Friend We Have in Jesus (F major): in solfa and in jianpu
Questions people ask about F major
What is doh in the key of F?
Doh is F. In F major the solfa syllables d r m f s l t sound as F G A B♭ C D E, and the doh an octave up is F again.
How is F major written in jianpu?
As 1 = F, at the top left of the score. The numbers 1 2 3 4 5 6 7 then sound as F G A B♭ C D E.
How many sharps or flats does F major have?
1 flat (B♭) in staff notation. In solfa and jianpu you write none of them: the key line (doh is F, or 1 = F) says where the scale starts, and the syllables or numbers carry the rest.
What is the relative minor of F major?
D minor, which starts on lah (6) and uses the same seven notes. In jianpu a piece in D minor is usually written 6 = D; in solfa the key line still names doh (F) and the tune centres on lah.
Write a score in F
DomiSol is a free editor for tonic solfa and jianpu. Set the key to
F, type d r m or 1 2 3, and press play to
hear it at pitch. To find the note before the choir sings, the
online pitch pipe plays F and every
other doh.
- Write tonic solfa in F, free in the browser
- Write jianpu in 1 = F, free in the browser