Category: technique
GlossaryCurwen hand signs
Seven hand positions, one per scale degree (do re mi fa sol la ti), gestured while singing tonic solfa to teach pitch. Devised by John Curwen, 1858.
Curwen hand signs are a kinesthetic teaching aid for movable-do solfege. Each hand position corresponds to one of the seven scale degrees and the relative height of the hand mirrors the relative pitch, 'do' is held at chest level, ascending degrees rise in space up to 'do' at eye level. A teacher can sing a melody, gesture each note, and students sight-sing by reading the hand shapes. The system was popularised by John Curwen's Standard Course (1858) and remains central in Kodály-method classrooms worldwide.
Etymology & origin
Devised by John Curwen (1816–1880), a Congregationalist minister and pedagogue, who adapted the system from earlier signs used by Sarah Ann Glover. Zoltán Kodály incorporated the signs into his own pedagogy in mid-20th-century Hungary, after which they spread globally as part of the Kodály method.
In context
| Example | What it means |
|---|---|
do, closed fist, thumb up, at chest height | Tonic, the visual anchor of the scale |
sol, flat hand, palm down, at chin height | Fifth degree, open, stable, dominant |
ti, index finger pointed up, at eye height | Leading tone, visually 'reaching' for the tonic above |
Sources
Reference: en.wikipedia.org , consulted for the definition above; DomiSol's wording is original.
See also
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Tonic solfa →
A movable-do music notation that uses the syllables d r m f s l t (do re mi fa sol la ti) for the seven scale degrees, 'do' = the tonic of the current key.
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Movable do →
A solfege convention where 'do' (or '1' in jianpu) is always the tonic of the current key, the same syllables describe the same scale degree in every key.